New Kids on the Blog: An interview with Judy and Keith, authors of Children’s and YA fiction (@JudyandKeith)

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This past week I had the profound pleasure of talking to Judy and Keith, who are not only writing partners, but have also been life-partners for more than forty years (they don’t look old enough for that!). Their story is such a selfless one, but not entirely smooth sailing on the publishing side of things. Read the interview below to find out more about them, their writing and their wonderful books. At the very bottom I will post a link to the article that sparked our conversation, and that can be of great value to anyone who hopes to publish Children’s fiction, or anything that contains graphic content, via Amazon Kindle.

Judy and Keith are also members of the WolfPackAuthors writers’ group. If you haven’t any idea what that is, visit @WolfPackAuthors on Twitter, and be sure to follow them. They’re pretty awesome, just like real wolves.

Keith & Judy

“Judy’s Big-nan told the best bedtime stories with witches, fairies, magic teapots…etc. Judy carried on the tradition with our children, and now we’re reaching a new generation.”

 

  1. Who are you? Tell us a bit about yourself.

Judy and Keith mainly write children’s stories. Each story tries to emphasize a moral and has to pass the acid test: Would we be happy if our own grandchildren read it?

We were born near Tamworth in the UK, met at high school, have been married for over forty years, and are now semi-retired, living in the South Bay, Los Angeles.
Judy initially followed a medical career as a radiographer and ultrasound technician in the UK and in her spare time gave piano lessons.
Keith followed a career first as an electronic engineer and later as a program manager.
In the mid-eighties, we relocated to Los Angeles where Judy switched profession to cosmetologist. We have two sons and two grandsons.

  1. You are both authors, and a couple?! Tell us about your books.

Keith writes, Judy edits—she says ‘why bark when you have a dog!’
Keith’s alter-ego writes adult material. Our grandson heard us discussing a story and wanted to read it. He was only eight. We promised to write a story just for him and asked what he wanted—answer, a wrestling story. Big T was the result. By the time we’d worked through all our grandchildren & god-grandchildren—we were on a roll.

Some of our earlier eBooks are no longer available individually, but we are republishing them as anthologies. The first two collections are available from Amazon, with Bedtime Stories following early in 2019.

Wicked Witch Anthology

Also available in print here.

Children’s Stories Anthology

Also available in print here.

  1. What motivates you to write?

It has to be our grandchildren.

  1. What are your writers’ Achilles Heels?

Some stories don’t resonate with Keith, and he procrastinates. A few glasses of wine in our rooftop garden usually works to break the deadlock.

  1. How do you negotiate plot ideas or differences in opinion about the content of your books? Is it a negotiation?

It’s a negotiation—usually involving a couple of glasses of wine. Judy is the big picture plot…Keith fills in the details.

  1. Your books are aimed at children and young adults. How did you come to work in this genre? What is your personal connection to the characters in your books?

See answer to Question #2
All characters are fictional…although, we do cherry pick the names we use so our grandkids can relate better to the stories.

  1. Of the books you’ve written, which resonates most closely with you as authors? Are there characters that hold a special relationship with your own childhoods?

The Wicked Witch series—Judy’s Big-nan told the best bedtime stories with witches, fairies, magic teapots…etc. Judy carried on the tradition with our children, and now we’re reaching a new generation.

  1. What is your favorite thing to discuss with your readers?

Nothing specific, although we do try and introduce morals and consequences into our stories.

  1. What are some of the life-changing books you’ve read, and why?

Keith fell in love with C. S Lewis’ Narnia series and E. S Nesbit’s stories…especially the blend of reality and fantasy. The idea that you can be living a mundane life…and a second later, a miracle happens…Judy’s the practical one…but, can make up a children’s story at a drop of a hat!

  1. You have had unique challenges with self-publishing children’s books and have overcome them in unique ways. Can you tell us a little bit about that, the illustrations and your process, also about your recently published article in regards to the challenges of publishing books for young readers?

Family and friends told us we’d reach a bigger audience if we had illustrations and the books in print. My son kept plugging away, so when Amazon offered this suite of publishing tools—effectively removing the barrier to play—we had to give them a try. The article goes into more details.
For us, we promised ourselves not to spend family money on what could be viewed as a hobby. The Amazon tools appeared too good to be true. It may be true…and in the future the tools themselves might become a profit-center, but not at the moment. We have a backlog of short stories—more than enough for two additional anthologies. We’ve turned it into a family affair, we all produce illustrations, help with marketing. Judy takes the lead with editing. Keith pulls all the parts together.
At the moment, except for the cover, we’re keeping the illustrations as pen-pencil. If these take off, we’ll consider full color. Our first front cover was home grown using an Amazon template, the second was the result of a competition.

  1. What was the first book you ever wrote?

Children’s stories…was Big T. It still appears on Amazon, but the publisher Devine Destinies has removed it from their website. We will include it in Bedtime Stories 1Q2019. The Mystery of the Broken Vase…still a short-story, but the theme is darker.

Big T

The Mystery of the Broken Vase

  1. What is your greatest passion?

Who knows? We don’t. Music’s a passion…dancing.
We firmly believe communication and doing things together are two of the three legs to keep a relationship fresh and new.

  1. Do you have other talents or hobbies?

Keith’s getting better at drawing illustrations…

  1. What are you currently reading?

Nothing in the YA-children genres.
Keith is a reviewer with TBRpile, so there is plenty of reading material. The last one was an adult detective story by Susan Laine.

  1. Are there any new projects in your future? What’s next for you?

One day at a time…finish the series of children anthologies. That covers 2019!! Bite the bullet with Harry Putter—a YA/NA romantic comedy…we’re stuck at 2000 words…

  1. And the question that everyone gets asked: Recommend one Netflix series I should watch?

Punisher…Keith
Orange is the new black…Judy

To learn more about Judy and Keith’s lovely children’s books, click here, or visit their Amazon Authors’ Page. Download their article on publishing Children’s fiction/graphic content to Amazon Kindle here.

If you are an author, book blogger/vlogger or book reviewer and would like to be featured as one of my New Kids on the Blog, DM me @StinavD on Twitter, or drop me a line at christina (at) christinavandeventer.com (please replace (at) with @).

Have a lit week!

New Kids on the Blog: An interview with Michael DeMarco (@HanlaBooks)

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“I consider Paradise Lost to be the greatest achievement in all of English language literature.” – Michael DeMarco

 

This week I had the wonderful opportunity to get to know a little more about the inspiring Michael DeMarco. Wearing many hats, Michael is an author and Lit-vlogger who wants to revolutionize the way young people experience classic literature. By day, he takes on the world’s wrongdoings, but after hours, he’s a superhero championing the finer persuasions in life (Literature, Music, Art!). His Youtube Vlog is a must-visit for any book lover (see links below) and his commentary on how classic literature can be applied to modern life is a unique take on the power and influence of great books.  Michael isn’t just someone whose videos you’ll want to watch and whose book you’ll want to read, he’s someone you’ll want to get to know on a personal level. And now you can.

Read the interview below.

 

  1. Who are you? Tell us a bit about yourself.

I’m a civil litigation attorney with my own practice in greater Boston. As of now I will be accepting appointments from the state to represent children and parents when there has been a removal made by the Department of Children and Families.

2. You are an author. Tell us about your book.

My book is a work of historical fiction, in four parts, taking place in England, the Netherlands, Indonesia, and finally Puritan Massachusetts. A Dutch prisoner of war is freed by a precocious young girl in search of her long lost father. While she seems to have freed him out of mutual interest, she makes an obsession out of corrupting him, sabotages the love of his life, while catapulting him up the ranks of the Dutch East India Company.

3. What motivates you to write?

A love of language and a desire to create.

4. What is your writer’s Achilles Heel?

My weakness as a writer is that my taste is very classical, and so my style is more formal and dense than what is found on the shelves these days.

5. Your book, Redemption Lost, is about The Dutch Golden Age, and more specifically the East India Company. What is your personal connection to this historic period/the characters in your book?

I was an Economics major in college and in my senior year I took a seminar level history course on Puritan New England. I am from Massachusetts and the story of European settlement in America fascinates people who live here. Redemption Lost deals with the machinations of the “first modern economy” centered in Amsterdam, the distortions of bear market saboteurs, and that colonial, geographic arbitrage that the Dutch used to acquire high value commodities from Asiatic trade. The climax is in Essex County, Massachusetts, almost too predictably I suppose, ending in a witchcraft trial, the description of which allowed me to draw upon my experience as a trial lawyer.

6. What is your favorite thing to discuss with your readers?

I enjoy hearing their own original opinions that had not occurred to me, sympathies where I had not intended them, or a relation to one of the characters (it is always to Louisa, the main female character).

7. What is the most annoying question you get from your readers?

“Who is your target audience?”

8. What are some of the life-changing books you’ve read, and why?

This would be a long list:

Moliere’s Tartuffe

John Milton’s Paradise Lost

Goethe’s Sorrows of Young Werther

Montaigne’s Essays

Plutarch’s Lives

Tasso’s Liberation of Jerusalem

I do not know that these books changed my life, but they evolved my thinking, each of them is full of little bits of wisdom for the reader to take away. Moliere in particular mocks everyone who takes things too seriously; arguing in every play, it seems, that to live well is the only true philosophy, and to try too hard to avoid calamity will bring it on you. Tasso is a series of allegorical delights. Plutarch is a tract pertaining to all life on earth. Goethe’s exploration of inner torment is so naked and confessional – and accurate — that it is difficult to wade through.

9. What is the one book you wish you had written, and why?

I hope I will write a comedy some day.

10. You host a Youtube Vlog about Literature. What prompted you to start Vlogging about books?

I’ve come to the determination that academics have ruined literature for young Americans. The purpose of my channel is to try to be entertaining; which is to say, I hope to extract the entertainment value from what is presumed to be dry material and show it to be comedic, meaningful, and even sexual.

11. What was the first book you Vlogged, and why?

I started with a series of podcasts on Paradise Lost because the core themes of that book were incorporated as homage in my own book. To put it simply, I consider Paradise Lost to be the greatest achievement in all of English language literature. It contemplates everything from domestic happiness, to his own theology, to his grapple with the correct relations within a free state. By the time I was done with the vlog, I realized I enjoyed the process. It is very clarifying to sit down and map out what I want to say.

12. What is your greatest passion?

I genuinely enjoy the practice of law and trial work especially. Reading, opera, classical music, the visual arts.

13. Do you have other talents or hobbies?

I get out on the bike for exercise during the summer and I ski during the winter.

14. What are you currently reading?

Maria Callas: The Woman Behind the Legend by Arianna Stassinopoulos.

15. Are there any new projects in your future? What’s next for you?

A Maria Callas video, the rest of Dante’s Inferno, and I must make a vlog on Moliere and Goethe!

16. And the question that everyone gets asked: Recommend one Netflix series I should watch:

Babylon Berlin

 

Follow Michael on Twitter @HanlaBooks or subscribe to his Youtube channel here!

If you are an author, book blogger or book reviewer and would like to be one of the New Kids on the Blog, contact me today!

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Have a bookish weekend!

How to do the Kindle-thing

If you were born in the 90s, this post will probably seem surreal to you. Also, the idea of reading paperbacks instead of ebooks might seem surreal to you, because why, right? Ebooks are eco-friendly, easy to download, easy to access and you can store thousands of them on one device or in the cloud, all at the click of a button. What more could anyone want from a book?

But people do want more from books. They want books that represent time, struggles, memories and, sometimes, even status. I know readers who only buy literary fiction, because to them it’s better than genre fiction. I know those who only buy hardbacks, because anything else should, according to them, never have gotten published in the first place. And then there are those who snob for “real books” vs “fake books” (ie. ebooks), because for some reason if it hasn’t been printed on paper, the writer isn’t a ‘real author’. And though, to some, all of these things matter, they do not matter to me. What matters, truly matters, to me, is that people read. The more they read, the merrier I am. If they happen to read something I wrote, I become ecstatic. I dare say some other writers will agree with me. We don’t write because we want to fill a reader’s prerequisites for their books, or tick a box on a publisher’s want-list. The vast majority of us write because we have something to say, and because we want you, the reader, to find out what that is. All that being said, I commiserate with lovers of traditional books (previously known only as ‘books’), because to them it must sometimes feel like technology is ruining an ancient wonder and making it disappear. Humans are alike in that they don’t take kindly to change. So while I don’t want to convince you, yes you, who were born before the 90s, who had the privilege of living in a world where everything you said or did wasn’t scrutinized on the internet and could still get a book you actually wanted to read at your local library (or still had a local library!), I do want to introduce you to the ebook. This introduction ultimately serves the same purpose an infomercial serves TV-marketing: I want you to read my books.

What is an ebook?

The name ebook or e-book is the shortened version of electronic book, which when looked at from that perspective would be a more adequate name for an e-reader, the device you use to access and read the e-book on. Ebooks come in different formats, which means they have different file-names attached to them that allow for users to read them on specific reading devices. This is, in effect, the same difference between playing Tetris on an iPhone or an Android device. The game is still Tetris. The thing you hold in your hand to play the game on is what differs.

Do you need an e-reader to read ebooks?

The simple answer is no. The lengthy answer has to do with what your reading preferences are. These days you can read most ebook formats on your computer or phone with the download of a simple app or via an online service such as Amazon Kindle, Scribd, Smashwords and many more. But if you want to experience and interact with the ebook in the same way you are used to with traditional books, an e-reader might come in handy. On an e-reader (there are many different kinds out there, such as Kindle, Nook, Kobo, and so forth), you can have your whole library in one place, highlight or underline passages you particularly enjoy and even write notes in the margins. Sort of. Each e-reader comes with its own set of pros and cons, and some with limitations others don’t have. What is unique about e-readers is that they have been developed to enhance the reading experience, not detract from it. Not only do they use a special eye-saving technology called e-ink, but most of them also have font-size adjusters and paper/text colour adjusters for vision impaired individuals. To add to their appeal, some of them come with backlit screens to facilitate reading in the dark and font choices, in case you just can’t read another Times New Roman word! And most importantly, they’re lightweight, so they won’t break your nose if you accidentally fall asleep while reading in bed.
For a similar reading experience (minus the vision saving e-ink experience) your phone or tablet might be a good second choice. What’s great about reading on your phone is that, the way most people use their cellphones these days, you’ll always have a book with you, no matter where you go. Waiting in line at the bank or doctor’s office? Read. Too little fiber in your diet? Get some Kelloggs Allbran flakes. See what I did there? 🙂
Seriously, though, no one at a bookshop ever gave you a book for free, did they? So while you still haven’t decided what you think of the whole ebook-revolution, why not try reading one of thousands of free ebooks to get a feel for it. You don’t have to fully adopt, you can still read paperbacks too! Nothing is stopping you from having your bread buttered on both sides!

So, how to do this Kindle thing:
Great news! If you’re reading this blog, you already have all the tools necessary to attempt reading an ebook!
Step one: Go to www.amazon.com or www.amazon.co.uk and download the Kindle reading app. Similarly, on your phone or tablet, go to your app store and search for ‘Kindle’. Download the app.
Step two: Now that the app has downloaded, you need to create a user account. In order to do this, follow the prompts on the app (it happens automatically), typing in your email address and a password of your choice. Memorize this password!
Step three: Following the prompts, choose the genres/book types you generally enjoy reading.
Step four: Look for the search bar (it has a tiny looking glass picture in it) and type in the words ‘Christina van Deventer’. Some books (by me!) should appear. Some of them are free. Choose your preferred title and click/choose ‘Buy now’ or ‘Buy now for free’!
Step five: Wait one minute while the book of your choice downloads to your device. Start reading!

Repeat.

It has literally never been easier to buy books and start reading them. Easier still is finding any book you want by simply searching for it.

Now, go give it a try. Who knows, maybe you’ll even like it a little.
If you go before the end of August (today is the very last day!), you might even find more than one FREE title by me. Because I’m just that nice!

If you want to get there faster, click here!
And just to prove that I am, in fact, a ‘real’ writer, here’s a picture of some paperback copies of my book, “The Deermaster”. You can order your own copy by clicking here.

PS: If you felt condescended to in this post, it was most likely because it hit a bit close to home for you. Or you don’t like it when people explain perfectly obvious things. Well, it’s not perfectly obvious to EVERYONE, and I want EVERYONE to read my books, so I’m willing to chance being condescending to attain my goal. Don’t take it personally 🙂

Happy reading!

Goodreads Fantasy Week and a Kindle Countdown Deal

What’s better than fantasy week? Getting cheap/free books during fantasy week!

Yes, you read that right. This week is the Goodreads Annual Science Fiction and Fantasy Genre week and I’ve got just the thing to celebrate with: A YA Fantasy novella with rogue reindeer and evil clauses: The Deermaster.

So, in honor of the awesome service Goodreads provides to readers and lovers of scifi/fantasy everywhere, The Deermaster will be available as a Kindle Countdown Deal from 24 August, 2018 until 31 August, 2018! That means MASSIVE savings on an awesome book! Who can beat that?! The sooner you drop by, the cheaper you get the book, so don’t delay!

But wait! There’s more!

To sweeten the deal even more, you will also be able to get my romcom-scifi short story “Out Of This World” for FREE during the last two days of August 2018! Because embarking on out-of-this-world adventures is what reading books is all about!

Happy Spring! (if you’re in the southern hemisphere, like me), or happy Fall! (if you’re not) 🙂

And most of all, happy reading!

Remember the three Rs:  “Read, Review, Recommend”.

 

 

Book review: I see London, I see France

CAUTION: Spoilers ahead!

In 2017 I had the incredible privilege to undertake a great European road trip with my husband and parents. For nearly four weeks, we hopped from country to country, ticking things off our bucket lists at every stop. Mom wanted castles and culture, dad wanted nature and walking, my husband wanted to bump fists with statues of musical greats and visit their homes, my own pleasure is art, literature, fairytales and magic. We all wanted wine, great food and to experience something new together. And we did, everywhere we went.
But while backpacking, or road-tripping, through Europe is the adventure of a lifetime for anyone, what makes it life-altering is not so much about where you go as it is about who you go with. Which brings me to I see London, I see France by Sarah Mlynowski.

The book follows first year college (university) students/best friends Sydney and Leela on their great European adventure.
This is the trip they’ve both been dreaming of ever since they started reading books as teenagers. They have a bucket list of their own to work on, complete with stinky cheese and high tea, but they also have to budget to make it through four and a half weeks of traveling.
Each of them also come to the experience with an extra piece of baggage: Leela is recently broken up with her college boyfriend, with whom she was supposed to go on this epic trip. Sydney leaves behind an agoraphobic mother with her sister who, despite having grown up in the same household, just doesn’t get what it takes to take care of someone who fears leaving the safety of their own environment. The story is told from Sydney’s POV, and everywhere we follow her, so does her guilt over abandoning her fragile mother and teenage sister. But it is only for four and a half weeks, she constantly reminds us, and she said she’d go straight back if either of her selfish family members can’t deal with her absence.
Speaking of selfish, the really selfish person is Sydney’s best friend and travel partner, Leela. Not only does she count on Sydney to do all the planning, but she repeatedly changes her mind about where to go and about who she would or wouldn’t like to share in the experience. That is because, despite the breakup that caused Leela and boyfriend Matt’s plans to fall through, Matt and friend Jackson follow in Sydney and Leela’s wake on a trip of their own. This complicates matters to no end and is also the main plot-twist in the book, because it turns out Jackson is both easy on the eye and an interesting, if not exciting, travel companion, and Matt and Leela have unfinished business. Throw in selfish Leela’s jealousy over Sydney’s new college friend, Kat, and you’ve got yourself a story with plenty of intrigue, twists and turns and a few OMFG moments to boot. But it wasn’t the story so much that had me riveted. Not that it wasn’t riveting, it was. It was just that, truth to be told, once Sydney and Leela started going places, trying new foods and experiencing new countries and cities, I was there again, or for the first time, experiencing Europe as though it was as new to me as to the two characters portrayed in the book. And I thought what a marvelous job Sarah Mlynowski had done with the thing that some would consider secondary to the story; the traveling. At every twist and turn in the book I thought: ‘Poor Sydney! If only she could have done this with her mother like I did,’ or ‘Poor Leela, if only she would see how much work her friend put into trying to make this trip awesome for her,’ and I walked up narrow staircases with them and snapped selfies of great tourist attractions with them and when I put the book down, it was as though I had just returned from Europe again with my family, who had trusted me so completely to plan a trip that on the day we left for Europe, they still had no idea where we were off to. And it was magical and romantic and new and exciting and fun. Lots of fun. Both times.
So if you haven’t done the Great European Adventure yet, choose your travel partner(s) carefully. And read ‘I see London, I see France’. You can call it research. Or you can just experience the great European adventure, which is what this book is. Don’t go to Europe and act like Leela. Be the better friend, the traveler who is open to new experiences, the person who eats the snails even though they look disgusting. And if you ever go see a sex-show in Amsterdam, don’t be the idiot who gets up on stage with the performers. Be the idiot who takes video proof to show that you were there, then deletes it, to show that you care.

My travel companions, waiting for the bus in Florence, Italy.

Happy travels!

My short stories now available on Scribd!

If you’re a reader, which I sincerely hope you are, then you’ll have heard of Scribd by now. If you haven’t, here’s the low-down: Scribd is a subscription service for all things bookish and a lovely way to pay a little for a lot of reading material. Each month, for only $8.99 you get *unlimited access to their large catalogue of books, magazines, audiobooks and documents, which can be accessed from your phone, tablet or computer at your convenience! And now, to make the deal even sweeter, my short stories are available for Scribd subscribers both in Afrikaans and English! The full “Nuwe Stories” short story series (Afrikaans Edition) is available for your reading pleasure. The series consists of three anthologies: Nuwe Stories, Nuwe Stories 2 and Nuwe Stories 3, each comprising a collection of Afrikaans language short stories from millennial writers such as myself. And of course my own short stories are there too. Look out for “Onder die Brug” (Nuwe Stories), “‘n Kis vir Boel” (Nuwe Stories 2) and “Utopia” (Nuwe Stories 3).

Nuwe Stories, ISBN 9780798156448. Now available on Scribd!

Nuwe Stories 2 – ISBN: 9780798164627. Now available on Scribd!

Nuwe Stories 3, ISBN: 9780798167987. Now available on Scribd!

If Afrikaans isn’t really your thing, I have a special treat for readers of the slightly more widely spoken English language. My latest short story, “Hot Wheels“, is now also available on Scribd.

Hot Wheels: A Short Story. ISBN: 9780463642849.
Now available on Scribd!

So get clicking and start reading, and remember, if you liked what you read, review and recommend!

Get your Scribd subscription here. Click on the book names above to read each book on Scribd.

Happy reading!

Three Short Stories about Johannesburg by Elizabeth Pienaar

I have a confession to make. I love short stories. I love reading them, I love writing them and I love recommending the good ones to my fellow readers. A lot of people tell me they don’t like to read short stories, because they “get to spend so little time with the characters”, or “just when they get into it, the story is done”, or even, and this surprises me, “short stories don’t give authors enough scope to exhibit their abilities”. While you are allowed to have that opinion (if you happen to share in it), allow me the chance to change your mind. I know just the short stories that’ll do it.

I’ve mentioned Elizabeth Pienaar here before, because I adore her writing. The previous time I wrote about her, it was about her book “Bobby”, a beautiful tale about a dog’s life, based in truth and told from the dog’s perspective. But today I want to talk about her new series of short stories, collectively named “Breaking Down The House”, in which Elizabeth takes a very candid look at life on the streets of Johannesburg. The first story, Pius, is about the stark reality that faces every South African today; that no place is really safe anymore, that work is scarce and hard to hold onto and that sometimes life takes you on the roads you’d rather not have travelled. This story won the South African PEN Award, which is a much better endorsement than I could ever make. Nevertheless, I’m telling you, read it!

Get “Pius” on Amazon Kindle by clicking the link below.

The second story, “Breaking Down The House”, placed 2nd in the PEN Award. It takes a whole new look at the interplay between rich and poor and how, by helping someone else, you can sometimes also help yourself. It’s smart, intriguing and, even though it’s a short story, the characters are so well developed that you’d struggle not to identify with them. It’s short enough to read while waiting at the doctor’s office and it will keep you hooked until the end (or when your name gets called, whichever happens first).

Get “Breaking Down The House” on Amazon Kindle by clicking the link below.

The third story, “Rejoice”, was the story that really got to me. I’m a sucker for hero types and flawed characters and I’m an even bigger sucker for stories with heart. This one’s got all of that and more. It’s about the relationship between a worker and employer, and the many facets of the human condition, of relationships founded on uncommon ground. This story was so good that I’m biting my tongue not to tell you any of the details, because it’s something you should experience first hand. And it has all the scope of a full length novel without the time-investment of reading a four hundred page book. If you can only afford to get one, this is the story you should get! But really, you should just get all of them.

Get “Rejoice” on Amazon Kindle by clicking the link below.

Now, if after reading these you still don’t like short stories, there’s probably no ointment for that particular condition. If you did, feel free to scroll down for more recommendations!

Find out more about Elizabeth Pienaar by visiting her website at www.elizabethpienaar.com.

As always, be kind and review. Authors don’t only want to know what you thought, they want others to know what you thought and they depend on your reviews, shares and endorsements to get the word out.

Have a great week!

 

‘The Boy With The Coin: A Short Story’ Free on Amazon Kindle this Star Wars day!

Perhaps it would have been better if the boy had a lightsaber, but he doesn’t. Coins have greater value to fatherless children. Or perhaps it’s simply because lightsabers are probably, kind of, a little too sci-fi for this particular tale. Nevertheless, if you download ‘The Boy With The Coin’ today, or tomorrow, it is a sign that the force is strong within you!

Also, the story is about an old man, a young boy, and, maybe not very surprisingly, a coin! ‘The Boy With The Coin’ is free on Amazon Kindle on 4 and 5 May, 2017. It is always free on Kindle Unlimited.

Book review: Oil and Marble by Stephanie Storey

Last week I read Oil and Marble by Stephanie Storey. The book is a fictional rendition of Florentine life between the years 1501 and 1505, the time during which Leonardo da Vinci and Michelangelo Buonarotti were both in Florence, each working on creating the respective masterpiece that would later immortalize them for future generations.

As backdrop to the tumultuous lives of these two artists, history provides us with some of the most eventful years in Italy’s colorful past: the ascension of Pope Alexander VI, better known as the Borgia Pope, and consequently the ravaging of the Italian city-state system by the Spanish Pope’s son, Cesare Borgia, leading the Papal armies. The interplay between the Medici family, the French invasions of Italy and the near constant conflict between Pisa and Florence also comes into play here, but the much stronger underlying spirit of the book is one of pride, honor and love.
As an Art History student during my undergrad years, I briefly met these artists, learned about the zeitgeist that surrounded their genius and of course, the art itself. But coming to this book more than a decade later, purely with an eye on reading art-historic fiction, I was both surprised and delighted at the depth of perception it brings to the reader and how much of it is based in truth. The book not only lets us in on the machinations of sixteenth century patronage and politics, but also on the perceptions of art, art-making and society during a time when gender and class distinction dictated every aspect of a person’s life and education.
Storey’s Da Vinci is undoubtedly the genius we know him to be, but he is also a man of complex emotions, dreams and of great pride. In Oil and Marble, Da Vinci’s beauty and arrogance hides his own insecurities. He knows his allure, his power over people (by way of reasoning) and over art (by way of science), but he carries within him a kind of darkness that only comes to the fore in his most private moments. In contrast, Michelangelo’s character is portrayed as one of constant and very public turmoil. He lives and dreams at a pace unreachable by philosophers and scientists because he fears, above sickness, or starvation, or even death, that he will be forgotten. He does not, like Da Vinci, know his power, but he nevertheless believes steadfastly that it is within him to reach greatness. If only he would be given a chance, if only he can do so before he dies of hunger.
Both artists believe in possibility. For Michelangelo, the Duccio stone holds uncountable possibilities, despite its many flaws. He is at odds with the stone; if it would just speak to him, would allow him to see what is at its heart, then perhaps he can find what lies within the marble. The greatest possibility Michelangelo sees, however, is not the beauty of the art, or the amount of comfort the payment from its completion will provide him. He sees a future far beyond his own lifetime and he rushes toward it with unerring clarity. In contrast, Da Vinci sees, perhaps, too much possibility. He claims to leave his art unfinished because, by doing so, it will forever contain the possibility of greatness. Da Vinci, too, looks well into the future. Will the humans of the future achieve flight? Will they uncover the secrets he is forced to leave undiscovered because of time? And what about the arrogant young stonecutter? Will he perhaps make something more worthy of Florence than the Master from Vinci?

What struck me as most unusual was how biased my own opinion of these artists had been prior to reading Oil and Marble. Perhaps I had preconceptions because I had studied these artists somewhat at university, or maybe it was in spite of my prior experience of them, but I had always had this idea that Leonardo Da Vinci had come by his education and knowledge because of his privilege. This privilege, I now understand, only existed in name. Leonardo did not have a formal education on account of his being the illegitimate son of the notary Piero from Vinci. Though home-schooled in basic reading, writing and arithmetic, Leonardo couldn’t read or write properly until well into adulthood, when he had chosen to study letters by writing and rewriting words and sentences until he was fluent in their use. Even his signature, not an artist’s rounded lettering, but a child’s scribble, attests to his lack of skill in this regard. Yet, today, he is known equally as a writer, mathematician and scientist as for his art.
There is also another, perhaps much more important aspect to the bias I noticed while reading Oil and Marble, and that is the preconceived one-dimensionality of an artist’s sexual orientation.
It is a well documented fact that Leonardo Da Vinci had many male partners, specifically his long-time student and partner Salai, to whom he left the Mona Lisa upon his death, as well as Francesco Melzi, who shared his final years and inherited all of his notebooks. Based on his personal history it is reasonable to assume that Da Vinci was homo-sexual, and this is also what we are predominantly taught. Because there is sufficient evidence for Da Vinci’s homo-sexuality, it is easy for art historians to underplay and even overlook the sexuality in his works, especially his paintings, or to make sweeping statements about his experiences of and attitude towards sex, sexuality and gender. But in Oil and Marble, Storey achieves an intricate balance between what we know of the man’s sexual exploits and the interpretation of the artist’s very unique ability to imbue sensuality onto his female subjects, specifically Lisa Gherardini (del Giocondo). Storey suggests a side to Da Vinci that most historians wholly ignore: that through his careful study and constant questioning of the human condition, he not only learns to understand the suppressed intelligence inherent in his female sitters, but he comes to love them on a level that surpasses sex or sexuality.
The book culminates in the completion of each of these artists’ most iconic works, but it also leaves us with a new beginning for each of them. For Michelangelo, it is the beginning of a career, the beginning of acceptance by his family and friends, the beginning of a life underpinned by taking responsibility for himself. For Da Vinci, it is the beginning of a more personal journey, one of acceptance, understanding and humility.
In the afterword to Oil and Marble, Stephanie Storey says the book was twenty years in the making. As her first novel it set an impossible standard. Her prose is uncomplicated, well-researched and beautifully written. Her settings are colorful and tactile. Her characters are well-rounded, unique human beings who experience the entire spectrum of emotion while inspiring an equally broad range of emotion from the reader. But beyond her ability to write interesting characters and strong plot, Stephanie Storey understands that for the reader of art-historical fiction, there is the added expectation of well-written art. Art that comes to life on the page. Art that is tangible, vibrant and evocative. Stephanie Storey writes this kind of art.
There is a reason why, while reviewing a book that is essentially about art, I haven’t written a single thing about the art contained within Oil and Marble’s pages. This sacred task I trust to the writer.

Travel blog: Jökulsárlón

There are few places in the world quite as magical as Svinafellsjökull, where you can get up close and personal with glacial ice that was formed millions of years ago.

There are few places in the world quite as magical as Svinafellsjökull, where you can get up close and personal with glacial ice that was formed millions of years ago.

Jökulsárlón means ´Glacial-river lagoon´ in Icelandic, but it´s far cooler than the name suggests. Ever seen those National Geographic specials where large pieces of glaciers tumble into the water? What about those shots of seals, sunbathing on the ice? You can view all of that, and more, at Iceland´s Jökusárlón. But sometimes, when you travel, the things that you can´t photograph make for your greatest memories. Find out why by reading my travel blog about my first visit to Iceland, first published by wesaidgotravel.com.